Building with a purpose
Palinda Kannangara in conversation with Nicola Jayasundera
His creative path was shaped by a love for mathematics and art, and it was nurtured from childhood. Guided by a mother’s belief in his potential, Palinda Kannangara eventually found a calling in architecture. And a defining milestone in this architect’s career came with his first project post-charter – a bungalow in Ginigathhena, which earned him the Geoffrey Bawa Award (1st Cycle).
Today, he seeks to create spaces that are rooted in Sri Lanka’s environment and culture through the integration of tradition with contemporary detail. This aims to evoke a sense of belonging, and celebrate innovation that’s grounded in place and purpose.
Q: Using natural and sustainable materials is a cornerstone of modern architecture. How do you view this trend?
A: Natural and sustainable materials have always been central to my design philosophy. In every project, locally available materials are vital in shaping the design and story of a building. By using what’s readily accessible, we not only create sustainable architecture but also support local industries and craftsmanship.
Our approach focusses on minimising a building’s footprint, designing for necessity to ensure the efficient use of space and resources, and selecting durable and sustainable materials. We also collaborate with local artisans to incorporate hand-crafted light fittings, furniture and finishes.
This approach was particularly valuable when Sri Lanka faced economic challenges as it allowed us to rely on local resources instead of external sources. Sustainability is about creating architecture that is responsible, resilient and deeply connected to its context.
Q: In your view, how is Sri Lanka faring in terms of sustainability?
A: Sri Lanka’s traditional architecture has always embodied sustainability in its truest sense.
Our ancestors built with a deep respect for nature by using locally sourced materials such as clay, timber and stone, and designed spaces that worked with the climate – e.g. courtyards for light and ventilation, and deep overhangs for shade. These buildings didn’t simply occupy the land; they belonged to it.
Somewhere along the way, we shifted to modern materials and methods, which often overlook context and climate. I believe the way forward is to look back and reinterpret those timeless principles for today.
By embracing the wisdom of our past, we can create architecture that’s environmentally responsible, and deeply connected to our culture and landscape.
Q: How has technology impacted the design and construction process?
A: Technology has been a blessing to architecture when used thoughtfully. Rather than replacing traditional methods however, it should enhance and support local architectural identity. The key is to apply it with intention by respecting and strengthening the existing context.
Tools such as computational design and energy modelling help us create more climate responsive buildings by optimising natural ventilation, lighting and thermal performance. Modern construction techniques also improve efficiency and reduce waste, and enable us to work effectively with traditional materials and craftsmanship.
Used wisely, technology can be the bridge between the past and future as it helps refine sustainable design without losing touch with our architectural heritage.
Q: Is enough being done to encourage young talent to enter this field?
A: I would approach this from a different angle. With rapidly evolving trends and the influence of social media, young architects now are exposed to a vast range of ideas that can be both inspiring and overwhelming.
As seniors in the field, we have a responsibility to guide them along a more thoughtful path. It’s not simply about trends but instilling a deeper understanding of design, sustainability and cultural relevance.
Encouragement includes mentoring the next generation to value both innovation and context.
